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Ambiere: Fairytale grunge, funerals and ‘utter nonsense’

Ambiere's Jake Blythe, Amber Lane-McIvor and Oliver
Ambiere are Jake Blythe, Amber Lane-McIvor and Oliver "Lamy" Lamb. Photo: Katy

Meet Ambiere. They’re a band in the business of “fairytale grunge”.

They share their hometown of Mossley with modern day punks Cabbage – they know each other well – but the similarities end there.

Reminiscent of The xx and early Florence + The Machine, they’ve honed their wares discreetly to date, crafting magnetic sounds imprinted with floaty vocals, synths, and celestial symphonies.

It’s dream pop at its ethereal best, as vocalist Amber Lane-McIvor sparkles alongside Jake Blythe and Oliver “Lamy” Lamb, and so we couldn’t be more excited that their debut EP is finally on the way.

Tree of Life is out on 11 February, and will be accompanied by the band’s first UK tour.

We decided to lift the lid on the elusive trio, visiting Mossley for an exclusive chat.

Read on to learn all about Ambiere, from the “utter nonsense” behind their favourite track, to tales of singing at funerals, the Manchester scene and Goldie Lookin Chain.

So, Ambiere, thanks for meeting up with FEISTY today! How’s the first two weeks of 2017 been for you?

Amber: “It’s been hilarious, because we’ve got this tour coming up, and it’s only just hit us that we’ve got this tour! It’s come so quick.”

Jake: “It’s been pretty busy so far, hasn’t it? We’ve just been cracking on with the EP.”

We’ve spent a lot of time outside today in the middle of winter. Is it fair to say you have quite an affinity for nature and the outdoors?

Amber: “I do like nature! I mean, I’m freezing my tits off, but I do like nature.”

Jake: “I like climbing trees, more than anything in the world.”

Amber: “You like getting stuck in trees!”

Going back to basics, what is your backstory as a band? How did Ambiere first come together?

Amber: “I started university on a vocal course, and Jake was on a guitar course. I’d written loads of songs, so I wanted to make a new band and I saw this guy with dreads come into my class and decided I had to be his friend. He was actually really nice, and we just clicked, didn’t we?”

Jake: “We sat in Amber’s bedroom for about two weeks, just drinking red wine and writing songs.”

Amber: “Then we had a really good idea and needed someone with octopus fingers to join the band, so we got Lamy. We found him, and stole him.”

You’ve been in a band before Ambiere too?

Amber: “I was in a couple of mad indie bands when I was younger. I didn’t really sound like I do now, I put on a weird voice, but it was good. We played Academy 3 in Manchester, I can’t remember what we were called. Start Point, or something?”

So Start Point was your first band?

Amber: “Start Point! Yeah, I think it was Start Point. It was good, because everyone used to come to Manchester for the gigs from Mossley.”

Didn’t you almost support Goldie Lookin Chain as part of that?

Amber: “When I was like 15 or 16. I really don’t know how that happened! I’d like them to see me now, see if I look any older. Maybe they’d like us, can you ask them if you see them? Say we’re available!”

I’ll see what I can do! Are your separate musical backgrounds quite diverse?

Lamy: “Yeah, I started off playing classical piano, and three or four years ago I switched to synths. It’s a completely different background to Jake.”

Jake: “I got into a rock band early in high school, and stuck with that for five years until politics made it fall apart. Ambiere is great because it’s so open-ended compared to that.”

Amber: “I’ve gone from theatre, to indie wannabe rock star, to funeral singer. Singing at funerals, I still do.”

I didn’t know that was a thing!

Amber: “It sounds really beautiful in churches. So, I’m also available for funerals, if anyone’s interested.”

Ambiere
Ambiere are playing an EP launch date at The Castle Hotel in Manchester on 11 February. Photo: Katy
If you check out Ambiere on Facebook your music is described as having a “jellybean peanut butter finish”. Why?

Amber: “We were trying to describe what our music was, but we never knew what we wanted to do. One minute I was like, ‘I really like this native American style music’. After that, ‘You know what, I want to be dirty dubstep!’ But I liked those words and Lamy agreed, plus it’s fun to say.”

Lammy: “We’ve got that sort of sugary finish.”

So how would you say other bands taste?

Jake: “Ooh. That’s a good question. It depends on the other band? Some of them are creamy?”

Everyone laughs

Jake: “Creamy, I’d say Rick Astley.”

Amber: “Or you get sort of Kinder Bueno, with a bit of a crunch in the middle.”

Speaking of other bands, which would you say you most admire?

Amber: “Everything. I do, I love everything.”

Jake: “Yeah, to be honest, she’s kind of right.”

Amber: “Florence + The Machine is brilliant. Really ethereal.”

Lamy: “We love trip-hop stuff as well, minimalistic things.”

Jake: “I think no matter what sort of phase I’m going through, Pink Floyd will always have a special place.”

Your own music, though, isn’t quite like any of those. Without using food if possible, how would you describe it?

Amber: “Fairytale grunge!”

Ambiere
Ambiere are from Mossley, the same small town as post-punks Cabbage. Photo: Katy
OK! What is fairytale grunge?

Amber: “We try to be cool, but we’re like fairies.”

Lamy: “It’s orchestral, with nice vocals on top, just floating over it.”

Amber: “Like film music.”

Jake: “We’ve got this The xx kind of sound going on.”

Oliver: “It’s pretty spacey.”

You’re from near Manchester. It’s a city commonly known for the Madchester scene, Britpop, furious indie rock and stuff like that. Is it hard for you, doing the music you’re doing, in this area?

Lamy: “I don’t think so. There’s enough variety for us to be able to dip in to a couple of different scenes. There’s so many in Manchester at the moment, even hip-hop, and the dance scene is massive.”

Jake: “I once saw a gig at The Castle Hotel, where a guy just had a xylophone on stage and rolled around for his entire act. So it’s not just Oasis!”

Amber: “I’d like to try that.”

I imagine he’s broken big! You’re releasing your first EP soon, I imagine it’s quite an exciting time?

Amber: “It’s very exciting!”

Lamy: “I’m looking forward to getting it out there, getting some reviews.”

Amber: “It’s just amazing to have everything that you’ve had in your head actually right in front of you. For about a year we’ve had all of these ideas, and it’s all been put into this EP.”

It’s out on 11 February, but until now you’ve not revealed much. We now know it’s called Tree of Life, what else can you reveal to us today?

Lamy: “There’s five tracks that are all fairly different genres, but with a similar theme.”

Amber: “Tree of Life, Conscience, Unsteady, Intelligence and Sparkly Marmalade.”

Jake: “The EP goes to a lot of different destinations.”

Two of those tracks are already out there. Tree of Life particularly, that’s been a popular demo. What’s the story behind the song?

Amber: “It isn’t about one specific thing. Tree of Life was written about relationships, running away to a happier place. Others that have listened to it feel it is about loss and I can see that too. Everyone interprets songs differently.

“The meaning changes depending on your own feelings at the time. I love that about music! Every single situation is a story needing to be told, life is a collection of short stories. We are all about light and shade, it makes life more interesting.”

Which new song are you most excited to reveal?

Amber and Lamy: “Sparkly Marmalade!”

Lamy: “Full of twists and turns.”

Amber: “It’s complete and utter nonsense, complete and utter nonsense.”

In what way?

Amber: “Well, my mum came in my work one day and she was eating toast, and asked if we had any marmalade. Then I just sat and watched her, and I kid you not, I thought, ‘Oh, she’s really sparkly!’

“So, I wrote Sparkly Marmalade in my order notes and put them in my pocket, and got them out when I was writing the song. When I first wrote the lyrics I got really excited because Lamy could sit down and do some weird beats, and Jake could do an amazing guitar riff. I’ve got a tattoo of it on my arm now.”

So you have a tattoo of Sparkly Marmalade?

Amber: I do. It’s a lovely backstory, isn’t it? So indie.

Ambiere
Ambiere describe the track Sparkly Marmalade as “complete and utter nonsense”. Photo: Katy
Was it difficult to put together and record the EP? What sort of challenges did you face?

Lamy: “Well, it’s not a common setup, with guitar, vocals and electronics.”

Jake: “We write as guitar and vocals first, a sort of acoustic thing, and then bring it to Lamy and put all of the electronic stuff on afterwards. I guess the challenge is finding that balance between the electronic and acoustic aspects.”

Where will fans of the EP be able to check it out live this year?

Lamy: “We’re playing in London, Leeds, Newcastle and Manchester between the 8th and 12th of February.”

You haven’t played a headline show before, have you?

Lamy: “Not really, not our own. We’ve headlined a few other people’s nights, but there’s never been a dedicated Ambiere gig.”

Amber: “Please get a ticket!”

I should point out that Amber is speaking at the phone like it’s an audience!

Amber: “I’ve never had a phone like that before, I’ve got a Nokia!”

What are your hopes and aspirations for Ambiere?

Amber: “Just to have fun, and travel, and be able to get a nice studio apartment with a dog. A few more tattoos? And to not be too serious.”

Lamy: “Some festivals would be great.”

Amber: “Yes! We’re available for bookings.”

I’ve noticed you’re available for a lot of bookings: Funerals, Goldie Lookin Chain gigs, and festivals! Is there anything else?

Amber: “Yeah! We can also do contemporary dance, instead of singing, if you want that.”

Jake: “I make a good brew.”

Amber: “Yeah, he does, but it’s green tea. He’s too indie for normal tea.”

Ambiere
An Ambiere nativity scene? Photo: Katy
To close, would you like to add anything? Maybe a bold statement?

Jake: “High contrast sports jackets aren’t cool. That’s a bold statement.”

Amber: “Just to please buy the EP. We’ll beg, like a charity video.”

Lamy: “Give us some money, we need petrol.”

Amber: “Lamy’s car’s just been for an MOT, and also we’re going on tour, so it’d be good if people came along to that. What’s Lamy’s car called?”

Lamy: “Oh, it’s Percy! Percy the Peugeot passed his MOT.”

Amber: “Percy the Peugeot passed his MOT! That’s all we wanted to tell you really. Yeah, thanks!”

Lamy: “Buy the EP!”

Tree of Life is released on 11 February. Ambiere are on Facebook, and will be playing the following dates next month:

February 8 – Lending Rooms – Leeds, UK
February 9 – New Cross Inn – London, UK
February 11 – The Castle Hotel – Manchester, UK
February 12 – The Tyne Bar – Newcastle, UK

FEISTY Introduces: The Seamonsters

The Seamonsters at the Millennium Gallery in Sheffield
The Seamonsters are Ciara Hurding, Holly Thompson, Naomi Mann, Tassie Drobinski and Lauren Smith. Photo: Katy

The Seamonsters are a Sheffield band with their sights set on indie stardom.

Established four years ago in a teenage daze, they’ve only recently started to turn heads, progressing from a throwaway covers band into something potentially exceptional.

With only old demos online so far – “we are a lot better than those”, say the band – they’ve developed their following purely through live shows and old school word of mouth.

The Seamonsters – Naomi Mann, Holly Thompson, Tassie Drobinski, Lauren Smith and Ciara Hurding – first met in school, with a long-time sixth member recently leaving the band.

They’re set to finally release their first single proper in the summer, and are about to play their first tour dates outside of their hometown.

They’re also on the bill for the second Outlines Festival in March, with more live performances and news to follow.

Katy got to know The Seamonsters for the first FEISTY Introduces, as the girls opened up on their backstory, sexism, and their plans to skip out on university for the band.

Thanks for agreeing to meet up with me for FEISTY Introduces! There’s five of you, is it hard to organise things with so many members?

Everyone: “Yeah!”

Ciara: “Sometimes there’s stages that we can’t all fit on to.”

Naomi: “I think writing songs is quite hard when we all have lots of ideas, but I think the main problem is stages.”

You’re called The Seamonsters, despite being from Sheffield, which is as far from the sea as it gets! Where did the name come from?

Ciara: “Oh god, OK. It was this drama group that we went to when we were like 12, and we were sea monsters in a play. We had just started the band, and couldn’t think of a name, so we thought as a joke, ‘Oh haha, we should call our band this!’ It’s kind of stuck since then.

“It was also that the sea monsters were really small parts in the play, and we wanted to do something with the name, show we could do something more than being a really small part.”

Tassie: “We were always in the background of things. We were in choir together as well, and we were always in the back, we wanted to show we weren’t always in the back.”

Holly: “I wasn’t even there! I didn’t even exist at this point.”

Naomi: “I don’t even know if we decided to call ourselves The Seamonsters before we practiced. No?”

Tassie: “I think we decided we’d have a band before we had a practice, so we just turned up and started playing.”

The idea of the band itself came from a drama group, right?
The Seamonsters at the Millennium Gallery in their hometown Sheffield
The Seamonsters at the Millennium Gallery in their hometown Sheffield. Photo: Katy

Lauren: “I had – and still have – a festival at my house every year with lots of bands. There were guys in bands our age and they were all playing, but we were like making up dance routines and stuff. We decided it’d be really cool to try out what everyone else was doing.”

Naomi: “We were friends before we were in a drama group, but we thought of the idea of a band around the time of that.”

Holly: “I didn’t know you guys!”

Naomi: “Yeah, I think you were friends with Lauren and just kind of turned up at the practice.”

Would you all say you’re all quite unique individuals, or that you have similar interests?

Naomi: “I’d say it’s a mix.”

Ciara: “We all like quite similar bands and stuff, but we have different variations. I’d say we dress similarly.”

Tassie: “We all have different personalities and all listen to different things and do different things, but a lot of the stuff we like is the same as well and it sort of works as a band.”

There’s been six members of The Seamonsters up until now, but recently your original keyboardist Lydia Wood left. Is it strange to not be the same band you’ve been for so long anymore?

Ciara: “It only happened very recently, and we’re definitely thinking about getting a new sixth member. We’ve based a lot of our songs around the keyboards, and we want to keep our old songs and try to keep that sound.”

The Seamonsters
The Seamonsters are playing at Outlines Festival in Sheffield on 3 March. Photo: Katy
You’ve played your first gig way back in 2013. When you first got together, what did you set out to do? Did you want to have fun or try to make it big one day?

Naomi: “I think fun at first, I definitely don’t think we were thinking of being big. We just started doing covers, really, and we were very young as well. We never thought it’d be a serious thing. Also, there was another band that went to our school, and it was a bit like we wanted to be as good as them. A mini rivalry, you know?”

What’s happened to them? Are they still together?

Naomi: “No, they’re not a band anymore!”

Tassie: “It’s got more serious in the past six months. We’re all planning our lives around the band.”

Naomi: “It’s all we want to do now. When we first started writing songs, we didn’t think we would begin to do proper gigs and record songs.”

You’re all 17 to 18 years old now, and some of you will be thinking about going to university. A lot of young bands break up around this point, what are you planning to do?

Ciara: “We’ve all had a conversation about it and we’re either going to go to uni in Sheffield or have a year out.”

Tassie: “I feel like I can go to university or not. We’ll see how the band goes in the next year.”

That’s great news! In your first interviews The Wombats always seemed to come up as a band you’d like to emulate. What was it specifically about them that was a blueprint for the band?

Naomi: “I think it was the fact that we all really liked them. We’d done a couple of covers, and that sound really influenced us. The techno, keyboard sound.”

Ciara: “It was the only indie band we knew that had keyboards a few years ago, and we really wanted to incorporate those sorts of sounds, so we listened to a lot of their stuff for inspiration.”

How is your sound changing now that you’re taking things more seriously and getting a bit older?

Naomi: “We’ve got more experience writing songs now, and also more recent influences.”

Lauren: “The time signatures and bridges are a lot more complicated now.”

Ciara: “We’re influenced by new bands like Black Honey now, basing our sound off bands like them. Style as well, we never really thought about that in the past.”

Naomi: “The style really links with the music, we’ve created an image on our social media, and when we release music this year it’ll really fit with that.”

Let’s talk about that music a little bit. So far you’ve released a number of demos online?

Lauren: “They were live recordings at Yellow Arch, they’re all live and from one day.”

Naomi: “They were demos because we thought we should record what we had, and we put them on SoundCloud. They don’t really reflect our music now, because they’re pretty old and we’ve improved.

“It’ll be really good when we release our new music because people want to hear what we sound like now.”

What’s happening with the new music at the moment?

Lauren: “It’s recorded, pretty much.”

Naomi: “We’re going to be releasing our first proper single at some point this year, and then a few more after that.”

Ciara: We’ve already decided what our first single is, and we’re going to have it out in the summer, we think.

So still quite a while away, then?

Lauren: “Yeah, got to get that promo up!”

There’s a lot more all-girl bands appearing lately. There’s still not as many as there should be, but why do you think it’s now becoming more of a thing?

Ciara: “I think maybe that when you see other girl bands you just get the idea. There’s not really been many at all in the past, so people haven’t even thought about it, and just seeing other girl bands influences you to start one I think.”

Naomi: “We all liked music and performing. We realised that the fact we were all girls made us stand out, but that wasn’t why we formed it.”

Ciara: “We started because of boys that were doing it our age. We never really thought being an all-girl band would have any impact, because we were quite young, but it has actually been an advantage to us.”

Are there any other bands like yourselves that you’re particularly fans of?

Ciara: “We like Hinds and The Big Moon, and Black Honey and Wolf Alice, who’ve both got girl singers. But I still think in comparison to the amount of bands with boys in that we like, there’s just nowhere near the same amount.”

Is there a certain expectation still to behave or be a certain way as an all-girl band? Have you had anyone that’s been very stereotypical or sexist along the way?

Lauren: “There’s been a lot of patronising, from sound guys and people like that. I’ve studied music tech, I know a lot about that, but they’ll still take my jack lead and plug it into the amp for me and stuff.”

Ciara: “It’s also stuff like, people have said to me, ‘Oh, you’re actually really good at the drums’ or ‘I didn’t expect you to be that good’. You wouldn’t say that to a boy. The other thing is before we go on-stage, we’re called an all-girl band, and people are just expecting Little Mix or something.”

Holly: “They introduce us as an ‘all-girl band’, but if guys went on they wouldn’t be like, ‘all-male band’, they’re just a band.”

You’re going to be playing Outlines Festival in March, which is one of your first festivals and also in your hometown. How did that come about?

Ciara: “We messaged The Harley [a venue in Sheffield], asking if they had any support slots that we could do. They replied back, saying they didn’t have any at the moment, but asking if we’d like to play Outlines instead.”

Lauren: “They were thinking of asking us anyway, I think?”

Ciara: “Yeah, they said they’d heard of us. We were super excited and said yes straight away, obviously!”

The Seamonsters' Naomi Mann, Tassie Drobinski and Holly Thompson on stage
The Seamonsters’ Naomi Mann, Tassie Drobinski and Holly Thompson on stage. Photo: Eleanor Freeman
Is there any other live stuff coming up that people should know about?

Naomi: “We’re playing some gigs across the country, which we haven’t really done before!”

Ciara: “We’re doing one in Cambridge and one in Nottingham. We haven’t really played outside of Sheffield at all, so it’s going to be really good, and we’re hoping to do some more gigs in different parts of the country as well.”

What can people expect from you when you perform live?

Lauren: “Loudness!”

Ciara: “I think because of the demos we have online, people are always quite surprised at how good we are, because we are a lot better than those, the new songs and also we play those demo songs a lot better now as well.”

Finally, just to wrap up, where do things go for The Seamonsters from here?

Ciara: “We’re going to release some music, and do more gigs outside of Sheffield, and hopefully some festivals as well in the summer.”

Is there anything else?

Lauren: “Glitter!”

The Seamonsters are on Facebook and Twitter, and are performing live on the following dates:

January 14 – The Rocking Chair – Sheffield, UK (supporting Trash)
February 10 – Plug – Sheffield, UK (supporting Casey Lowry)
March 3 – Outlines Festival – Sheffield, UK
April 14 – The Portland Arms – Cambridge, UK
May 6 – The Bodega – Nottingham, UK

Fighting Caravans: New music, tequila and the year to come

Fighting Caravans in Huddersfield, UK on 7 January 2017
Fighting Caravans are Simeon Lees, Josh Hagan, Ross Day, Daniel Clark and Alex Fletcher. Photo: Katy

“We need to sustain it, do it all again this year to really make an impact.”

Last year Fighting Caravans made a splash when their rootsy rock sounds graced the stage at Reading and Leeds Festival and their new music drew in fans around the UK.

The Leeds five-piece are named after a 1930s western – although nobody in the band has ever seen it – and draw on influences from the contrasting worlds of early US blues and modern alternative rock.

Fighting Caravans release a new single this month through cult label Clue Records – as part of their exclusive Clue Club – before tour dates and releases throughout the year.

Katy sat down with the band at their first gig of a crucial 2017, where the lads discussed the latest on their new material, and also revealed:

  • Plans to add an extra member to the band;
  • The story behind their bizarre recent video for In Sicily;
  • Hopes for a bigger tour later in the year.

Read on for the full interview, and follow FEISTY on Twitter and Facebook for our latest features, recommendations and news from the UK scene and beyond!

Thanks for sitting down for a chat guys! How has your 2017 been so far?

Daniel: “It’s been alright. No one’s died yet, that’s a good start.”

Alex: “Oh, a few people have.”

Ross: “Yeah, the whale! That was genuinely quite sad.”

Alex: “Really? Aww, Jesus.”

You were in the studio recently recording a new EP. How did that go?

Daniel: “It was good. We recorded at The Nave, which all of the bands from Leeds seem to do at the minute, there’s a really good sound there. We’re pleased with the results, but we think the EP is going to end up being a series of singles instead.”

So, going back to the beginning, and specifically Daniel. In researching this interview, I found your old SoundCloud, with all your solo material on it!

Everyone laughs

Daniel: “How did you find that?!”

Alex: “Send that ’round!”

There’s actually a bio on there, saying you’re a “charming young Yorkshire person with a delectation for knitwear”. I’m wondering if you still love jumpers?

Daniel: “Haha, well, I find them a little bit more irritating than I did back then. The portfolio of clothing’s not increased too much.”

Daniel Clark's British Summertime EP on SoundCloud
Frontman Daniel Clark’s poppy debut EP, released in 2012, is a world away from the Fighting Caravans we know today
That was back in 2012, when you were a pop singer-songwriter. Your stuff was very different, what made you change paths so drastically?

Daniel: “To be honest, I was never really into that kind of stuff, I’d only just learned to play guitar and started writing a few songs that mirrored what was in the charts. Eventually it got to a point where I thought, ‘I don’t like what I’m putting out’, so I decided to do something totally different.”

How did Fighting Caravans first come together as a band from there?

Daniel: “I put the band together with another guy that left soon after. I got in touch with my cousin, who knew Ross, and he brought along Sim. Alex and I are technically related-”

Alex: “Technically!”

Daniel: “Well, his parents are my godparents and vice versa. Josh was a late addition, we’d been through like four other drummers and he got in touch when we needed one. We’ve been together for about eighteen months with this lineup.”

Fighting Caravans before their set at Parish in Huddersfield on 7 January 2017
Fighting Caravans pictured before their set at Parish in Huddersfield on 7 January 2017. Photo: Katy
Speaking of drummers, why is Josh called “The Sesh”?

Josh: “Eh, what?”

Daniel: “I keep changing the nicknames on Facebook, and I called you Dave ‘The Sesh’ Hogan.”

Josh: “Why did you call me that? Ah, Jesus. Is that what you’re putting on the press releases?”

Daniel: “It might be.”

Alex: “You are now, ‘Sesh’.”

You might be getting a sixth member soon, apparently?

Daniel: “Well, we’re trying! We’ve started to introduce keys, but it’s difficult enough to get five people in the same room, so six is also proving difficult. On the recordings there’s elements of keys on there, and we want to replicate that live. Hopefully we can do that at some live shows this year.”

Josh: “It changes the sound dramatically, but we haven’t really done anything as a six-piece yet.”

Daniel: “I expected by this point we’d have an extra member, but life doesn’t work that way.”

So the name of the band comes from the 1930s western of the same name. Would you say that your music is informed by that sort of movie?

Daniel: “Have any of us even seen it?”

Alex: “We’ve never even watched the film.”

Ross: “When we started we wanted to be a bit more American, and the idea was that nothing’s really more American than a western.”

Daniel: “We need to watch it really. We’re all into that [Quentin] Tarantino kind of movie, we go for that kind of sound.”

While we’re discussing art, you recently released the video for In Sicily. It’s a bit weird!

Josh: “It was my idea, wasn’t it?”

Alex: “Yeah, it was!”

Josh: “The Mexican stuff and the dancing, that was me, it started out as just that and it got weirder and weirder as we drank more tequila.”

Alex: “We’d had a fair amount to drink.”

Daniel: “We’d tried in the past to shoot our own videos, because it’s too expensive to hire anybody. When you’re shooting your own you’ve got a lot more control. It fits in with our whole philosophy that you shouldn’t take things too seriously.”

Last year you played some big festivals, like Liverpool Sound City and later Leeds Festival. How did that change things for the band?

Alex: “It definitely spurred us on, rocking up and seeing what it could be like every year for us. When you get a taste for it, you just chase it more and more.”

Daniel: “We haven’t really noticed anything too significant off the back of it, besides people being impressed. Maybe it’s helped us get a few more gigs here and there, but we need to sustain it, do it all again this year to really make an impact.”

You’ve hinted recently that your sound has changed. How has the new music developed from what’s come before?

Alex: “For want of a better word, it’s got ‘weirder’. It’s moving away from the Americana of the first EP, there’s a lot more sounds and the introduction of keys.”

Daniel: “It’s just becoming more like us. In the beginning it was driven by the songs that I’d already written, and then Alex brought along his influences, and now it’s all of us as a collective really.”

Ross: “We’ve started writing differently too. We used to do it in a practice room, where it’s all big and loud, but now we sit around in a bedroom with acoustic guitars and that’s changed the way that we do things.”

Politics seems to be a big part of your writing, or at least a recurring theme when people write about you.

Daniel: “It’s not party politics, but more personal political stuff? A lot of the songs are a social commentary, either poking fun at that, or also poking fun at ourselves for being part of that.”

Thanks to everyone that came out to The Parish in Huddersfield last night. It was great to kick off 2017 in front of…

Gepostet von Fighting Caravans am Sonntag, 8. Januar 2017

You’re releasing a new single this month via Clue Records’ Clue Club, called It’s a Nice Ride (To Be Fair). How did that come about?

Daniel: “We’re friends with a few of the bands on the label, and we know Scott [Lewis, Clue Records founder]. He was talking about wanting to do something with us, and we said we were in the studio and had something that’d work really well. It was a quick thing, perfect timing really.”

So it’s quite exclusive, and if you’re not a member of the club you don’t get the music, right?

Daniel: “Yeah, you’ve got to sign up to the Clue Club, and there’s a maximum of 100 sign-ups. The members get a free single every month for the year and some other extras. After two months the songs get released publicly.”

Is it strange to be releasing a new single to a small audience, knowing that most people won’t be able to hear it?

Josh: “Not really, the plan was always to release the single in March. It’s cool to be part of, the fact that it’s quite exclusive and that a select few get to hear it first.”

Ross: “The sort of people that’ll be subscribed have a genuine interest in bands like us, too.”

Is there anything new you can tell us about your upcoming music?

Daniel: “There’s going to be some singles on other labels. We can’t announce them yet, but we’ve played them all live already. We’re moving away from the idea of an EP, spending a lot of time writing, and hoping to put out more releases in a shorter period of time in the future.”

What else is coming up in the world of Fighting Caravans?

Daniel: “We’re planning some live videos, and we’ve got a few festivals in the summer. There’s Karma Fest, which is a psych fest with some really good names like Lola Colt, and SouthCider Festival. There’s others that haven’t been announced.”

So there’s some bigger festivals already lined up this year?

Daniel: “There’s definitely one bigger festival. It’s that time of year when we’re waiting to hear. We’ll hopefully be announcing a bigger UK and European tour for November.”

It’s all pretty busy then! Finally, looking forward to 2017 in general, what sort of year do you think this is going to be?

Daniel: “The way the world’s going at the moment, I think I’d expect more of the same.”

Alex: “It’s all downhill from here! No, we’ve got high hopes. As long as we get some nice weather in the summer it should be alright, shouldn’t it?”

Fighting Caravans are on Facebook and Twitter. The band’s announced the following dates for 2017 so far, with more gigs and festival spots to follow:

January 27 – The Library – Leeds, UK
January 28 –
Café INDIEpendent – Scunthorpe, UK
March 4 –
The Donkey – Leicester, UK
March 7 –
The Polar Bear – Hull, UK
March 9 –
TS One – Middlesbrough, UK
March 10 –
The Railway Inn – Winchester, UK
March 11 –
Old No. 7 – Barnsley, UK
March 17 –
The Full Moon – Cardiff, UK
March 24 –
Brudenell Social Club – Leeds, UK
May 28 –
Karma Fest – Leeds, UK
June 30 –
SouthCider Festival – Burton Bradstock, UK

Interview: Anna of the North

Anna of the North on Brighton seafront
Anna of the North's Anna Lotterud and Brady Daniell-Smith in Brighton. Photo: Katy

The luscious electropop stylings of Anna of the North are a viral pop sensation that will stride on and on.

They’ve racked up tens of millions of streams across their singles, collaborated with EDM giants The Chainsmokers, and made a hit appearance at Pitchfork Music Festival.

The Scandipop duo are eponymous vocalist Anna Lotterud and producer Brady Daniell-Smith. They first met in a Melbourne bar, leading to a viral hit, a record deal, and Brady’s relocation to join Anna in Norway.

They’ve just released their new video for latest single Oslo:

 
FEISTY editor Katy met up with the pair in Brighton to learn the story behind their formation, their dream collaborations, and the romance behind one of their best singles.

Thanks for taking the time out for a chat! How has your week been so far?

Anna: “It’s been amazing! I’ve never been to Brighton before, and it’s a totally different vibe from London. I really like it here. It’s also our first time playing our own set without being a support, and people have actually come to our shows!”

For those that are new to you, how did you first get together?

Anna: “I went to study in Melbourne, and before that I was just a bedroom musician in Norway, sat writing sad love songs when my heart got broken. I met Brady at a bar.”

Brady: “I was playing a show, and there must have been about ten people there. Anna’s friends pushed her to get up and sing at the end of my set. I really loved it, and we kept in touch for a few months, just sending through music we liked. She’d gone back to Norway by that point and I was still in Melbourne.”

Anna: “We made Sway and posted it on SoundCloud. It got picked up, for some weird reason…”

Brady: “It was the next day and it had a few thousand plays. None of my tracks had got that many before, even in a month, it was pretty crazy. We got signed, I moved over to Norway, and we thought, ‘OK, let’s give it a go!'”

Did you ever envision that you would be successful?

Brady: “I thought that Anna had everything. She has a great voice, she looks really cool, and there’s something special about her personality. That was already there, and so we just needed some music! I thought it could do well, but I didn’t think it was going to happen that fast, overnight.”

Quite early on you also worked with The Chainsmokers, who remixed your first track Sway.

Anna and Brady: “Yeah!”

How did that come about?

Anna: “They actually got in touch with us.”

Brady: “They were really self-aware. At that point The Chainsmokers weren’t making the bangers that they are today. They’d done that #SELFIE song, but wanted to make some good music as well!”

Is there anyone else you’d like to collaborate with?

Brady: “I want to make a supergroup with Anna, Astrid S and someone else. A girl synthpop One Direction, you know what I mean?”

Anna: “It’s so hard because there’s so many good musicians out there. I’m probably, like, the No 1 Spotify girl. I love making my own playlists, and, what do you call those old CDs people used to make?”

Brady: “Mixtapes?”

Anna: “Yeah! I love that shit! I’m a fan of so many artists.”

Anna’s from quite a small region of Norway. Has that upbringing had an impact on your music?

Anna: “Umm, maybe? I’ve never had any musician friends, and that might be why I’d never done anything before Anna of the North. But when I met Brady, we had music in common. Like you know, you always do things better together?”

Brady: “The thing with me being from New Zealand and her being from Norway is that there’s so many big cultural differences. Norwegians are quite reserved, and I feel like on my own my songs are too revealing, so when we write together we meet each other halfway and it balances out quite nicely.”

Anna is quite expressive on stage, there’s a lot of arm movements and so on. Is that something that just comes naturally?

Anna laughs

Anna: “I don’t know, I think I do that to get my voice out. It’s a way of expressing myself, and to get used to doing what I’m doing? I’m quite new to performing, I’m still learning!”

Anna of the North on stage in Brighton during The Great Escape 2016
Anna of the North on stage at Horatio’s in Brighton during The Great Escape 2016. Photo: Katy

Brady: “Anna just got thrown into this. We toured with Kygo, and Anna was on stage every night, with fireworks and thousands of people! We hadn’t done many shows before that. She went from being really nervous and shy, to by the end of the tour being so much more confident.”

Anna: “No, I’m still nervous!”

Brady: “Well, you’ve got to be nervous, it’s good to be nervous.”

Anna: “I wish I could see myself live. Not on camera, but just feel and see it, and progress out of that. ‘No, don’t dance like that, you suck!'”

Do you feel comfortable being classed as a pop duo? I know that some find there’s a stigma attached to it.

Anna: “I’ve always loved pop music, and now possibly love it more than before we started! When I was just fourteen years old, I was sitting on Napster downloading all of the baddest hip-hop I could find. Back then I wanted nobody else to know what I was listening to.”

Brady: “Like guilty pleasures?”

Anna: “No, not at all, I just didn’t want to listen to the same things as other people. I wanted to be different.”

In 2016 you released Baby. What was the creative process behind that song? It’s been quite successful!

Brady: “It was the first song that myself and Anna wrote together, so it’s special and meaningful for us. Before that the songs were already there, so it was kind of back to the drawing board.”

Anna: “Brady already had an idea for the song, and I heard it and really loved it, but the lyrics were totally different.”

Brady: “We had the chords and the drum beat, but we hadn’t really figured out the meaning and the storyboard, and that’s where Anna’s really good.”

Anna: “It was actually a really easy process. That song was meant to be.”

Is there a story or meaning behind the song?

Brady: “Oh, we’ll leave that for the listener to decide!”

Anna and Brady of Anna of the North pictured at The Great Escape 2016 in Brighton
Anna of the North pictured in Brighton during The Great Escape 2016. Photo: Katy
So there is one, but you’re not telling, right?

Brady: “I think it’s better if people take their own meanings from it. What it means to me is different from what it means to Anna, or to somebody else, and I like that we don’t tell anyone.”

Anna: “I was in a relationship at that point, and I’d had my ups and downs. It was written in that situation. Everyone has been in the position where they really like someone but it’s hard, you don’t know where the other person is at, and we’d both experienced that.”

Brady: “It’s a really vulnerable process, songwriting. There’s no other job where you have to look at yourself and be honest about your mistakes, and share that, record that for the world.”

What can we expect from Anna of the North from here?

Brady: I think we’ll see how things go!

Anna laughs

Brady: We’re working on writing an album at the moment. There’s our new single [Us] and then another set of songs that are already finished [including Oslo].”

Anna: “We’re definitely going to keep doing our thing. I never thought I was going to do music, but now I want to keep at it, whether people listen to it or not! Whatever happens, it’s going to be music from here.”

It’s all happened so quickly for you, almost overnight. Do you sometimes think it’s moving too fast?

Brady: “Not really! I’m 28, so…”

Anna: “It should hurry up!”

Anna of the North’s new single Oslo is out on January 13. Find them on Facebook, Twitter and SoundCloud.